Death by Tortoise

Of the numerous memento mori emblems in the albums this is surely the strangest. The sketch in the album of Jacob Freund is a particularly unlikely version:

from the album of Jacob Freund, after 1614. Warsaw, Biblioteka Narodowa, I 3507

Two men in robes emerge from an arcade to witness an eagle dropping a tortoise on the head of a seated man who appears to be declaiming from a book on his lap. The artist was clearly copying the engraved illustration below from Dionysius Lebei-Batillii, Emblemata (Frankfurt 1596) with its even more unlikely city-centre setting — most other engravers do at least set the scene out in a rocky landscape where eagle tortoise-bombers are inherently more likely!

The moral is that there is no avoiding the decree of Fate, however unlikely that decree may sound — if Fate has decreed you will be killed by a tortoise dropped by an eagle mistaking your bald head for a rock, then you will die by an eagle dropping a tortoise on you, having mistaken your bald head for a rock.

But the victim in this unlikely scenario is none other than the ancient Greek playwright, Aeschylus (c.525-c.455 B.C.), and the bizarre accident of Fate proved popular with emblematists and others.

from the so-called Florentine Picture Chronicle, attributed to the circle of Maso Finiguerra, c.1475. London, British Museum, 1889, 0527.79
woodcut illustration attributed to Hans Weiditz (1521) from Von der Artzney bayder Glück (Augsburg 1522)

Too good to be just a book-illustration! Note, in the background, one of the three Fates — Atropos, presumably — the one who cuts the thread of the mortal’s life:

maiolica dish, Urbino, c.1535-50. Cambridge, Fitzwilliam Museum, C.207-1991
from Otho Vaenius, Qvinti Horatii Flacci Emblemata (Antwerp 1612)
from Florentius Schoonhoven, Emblemata (Gouda 1618)


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