This satirical motif involves 4 standing characters in a row — from left to right, first the boy [Bube] who brings the wine, then the young woman who pours it (in the later prints, she is replaced by the landlord), then the man who drinks it off, and finally the peasant/poor man [Bauer] who pays for it. It seems to appear in the alba amicorum before it exists as a print [see dates below] The exploiter varies: Soldier/Priest/Student/Whore.

Reproduced from a 19C auction catalogue. The Juncker is the drinker here. Perhaps/probably that described in the Weigel du Rosey sale catalogue
from the Gertner album (dated entries 1619-33).GNM, Hs.113304, f.22v.
from the album of Johann Adolf von Glauburg, dated 1593. Texts: Jung holl wein; Junckfrau Schenckt ein; Student: drinck auss; Baur gib gelt auss. Here it is the student who exploits the peasant/poor man.Berlin, Kunstbibliothek Staatliche Museen zu Berlin, Signatur Lipp OZ 11
from the Berent ten Broeke (‘Paludanus’) album (dated entries 1575×1617). Den Haag, Koninklijke Bibliotheek
Signatur 133 M 63, f.97r.
A 1557 ed of Alciato has been used as an album here — of Marburg student, Valentine Pistorius. Texts above the players: Lakey hol wein! Junckfrau schenk ein! Junckher sauf aus! Bauer legs gelt aus! page dated 1591. Marburg, Universitatsbibliothek, Mscr. 578
from the album of Konrad von Knoringen (dated entries 1587-98). Texts: Jung holl wein; Hure [whore] schenck ein; Fenrich [mod. Fahnrich = ensign, standard-bearer] drincks ein; Baur zall duss. Heidelberg, cod. pal. germ. 608, f.22v.
1584/5

Another example, but I have no reproduction, in the album of Johann Heinrich Kirchberger (dated entries 1602-7). Labels: Jung hol d. Wein; Jungfraw Schenck Ein; Student Trinckh auss; Baur gibs Geld raus — in the Stadtbibliothek, Nurnberg — according to RAA

prints

In 1620, long after the earliest album versions of the motif were painted, a single-sheet print was published in Speyer illustrated with an engraving of our motif. Entitled Pfaffische Weinsuchts Lust [the priestly lust after wine] and quotes the 4 speeches which it styles a ‘common proverb’ — though it is noticeable that none of the 7 album images includes a priest as the exploiter, and in an evidently closely related engraved plate which appeared in the 1637 edition of the Pugillus facetiarum [see comparison below] the exploiter is a soldier.


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