December 2025 (3)

A peculiarly German motif — in both senses of the word! Presumably a sexual innuendo — riding on pricks? (works just as well in German). The earliest example known to me is one of the supporters of the arms of Christoph Sell, painted on the wall of the Bruneck drinking cellar which is dated 1526; there is then a gap of some four decades before a single example in glass-painting of 1568, contemporary with the earliest examples in the alba amicorum, whereafter it is taken up enthusiastically (I have records of 14 others) — and often as the supporter of a coat-of-arms — though curiously seems never to have made it into the print-book repertoire. There is, however, a single-sheet of the motif engraved by Mattheus Greuter and issued by Johann Bussemacher in Cologne in 1588 captioned with both what was evidently the traditional German rhyme (see below) and a Latin couplet which I translate: “My shameful wantonness set me on the hedgehog. Now I suffer the rough prickles which I deserved”. Like other such erotic motifs it may be found on playing-cards and in other media, including a ceramic figurine made by Christoph Gandtner in the 1590s, and even as a decoration painted on a sleigh. In this last example the naked rider plays a lute and is accompanied by the letters D M F W D I A D I S which like so many of the similar abbreviated sentences found in the albums might have remained mysterious but for the fact that it is often spelled out in full in the albums and elsewhere: Das Macht Fur Witz / Das Ich Auf Dem Igel Sitz [My forwardness/ curiosity makes me sit on the hedgehog] — it is not clear to me quite what this means! Vorwitz (numerous spellings in earlier German) also means inquisitiveness as well as forwardness, cheekiness — is the idea one of punishment? punishing female curiosity, of the sort that proverbially killed the cat? An orphaned leaf of the motif sold by Koller on 22nd September 2008 was apparently captioned more succinctly, fürwitz macht die jungfrauen reuen [curiosity (?) makes the girls regret/ makes the girls rue their curiosity].

One of the latest appearances of the motif is as a design for one of the Coburg shooting targets for 1629 [BELOW].

The attributes carried by the rider are obviously significant, in the Jenisch album and on the playing-card she holds a mirror, but on one of the orphaned album leaves in the Frommann Collection (BELOW) she brandishes the suggestive foxtail [see my foxtail through woman’s legs post of 26th December 2025]

Naked women also appear holding hedgehogs of more naturalistic size and in one case standing on a hedgehog — this hedgehog, painted on glass c.1585 (see below), is provided with a banderole reading Dritst du mich so stich ich dich [‘if you tread on me I will prick you’] — again (and not least because the woman is naked) one cannot but suspect some sexual innuendo.

supporter to the arms of Christoph Sell dated 1526, wall-painting in drinking cellar, Bruneck
from the album of Johann Ulrich Starck, dated entries 1568-72. Nurnberg, GNM, Hs.113302, f.64a
from the album of Ulrich Reutter, this page dated 1590. Nurnberg, GNM, Hs.121165, f.233v.
from the album of Onophrius Berbinger, this page dated 1578. Nurnberg, GNM, Hs.461
Stuttgart, WLB, Frommann Collection, cod. hist. 4° 444, f.89r.
Stuttgart WLB, Frommann Collection, cod. hist. fol. 908, f.81v.
from the album of Michael von Heidenreich, this page dated 1601. Kórnik, Biblioteka Kórnicka PAN, BK 1508
from the album of Paul Jenisch, Stuttgart, WLB, cod. hist. 4° 299, f. 242v.
[apologies for invisible hedgehog beneath woman in righthand corner!] An early example of our motif (1568) in painted glass. Wappenscheibe in the Ferdinandeum, Innsbruck.
from the sketchbook of the so-called Breslau Goldsmith c.1601 — captioned above Das nmacht Virwiz / das ich aufm Igell siz
Here the motif decorates a horse-drawn sleigh. From a Turnierbuch compiled for Jeremias Schemel of Augsburg, c.1570 = Wolfenbuettel, HAB cod. guelf 1.6.3 Aug 2°, f.60v. — via the HAB site
DETAIL of previous showing hedgehog-rider and the initial letters of her traditional couplet

ceramic statuette by Christoph Gardtner, 1590s. Vienna, Kunsthistorisches Museum

wall-painting in the Haus Hinterlauben in St. Gallen, Switzerland, by the glass-painter Andreas Hor (d.1577). Again functioning as supporter to a coat-of-arms (hedgehog’s snout visible bottom right corner!)
uncut playing-card, Augsburg 1600×25. London, British Museum 1872,0608.370-371
detail of painted ceiling at Schloss Tausendlust near Hitzendorf in Austria, 1588×1600. My thanks to Christoph Gasser for bringing this to my attention
design for shooting target of Balthasar Philip von Scharffenstein (1629) in the Coburger Scheibenbuch

Non-Riders

from Daniel Cramer’s emblem-book, Octoginta Emblemata (Frankfurt 1630)
woodcut by Jost Amman 1579

For what this hedgehog is saying — see above


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