A popular exemplum. In order to determine which of the three sons is the deserving heir, they are instructed to shoot at their father’s corpse — only the true son refuses to do so. The earliest representations show it as one of the Judgements of Solomon, but it appears shortly thereafter in illustrated manuscripts of the Gesta Romanorum. The classic discussion was by Walter Stechow in The Art Bulletin 24 (1942), 213-25. And for those who like that sort of thing, this is Iconclass no. 42B53.

I’ve only noticed two such illustrations in the albums to date: in that of Andreas Huber, which he kept from 1587 to 1609 — here the legitimate son who refuses to shoot has broken his arrow and snapped his bow-string —

 from the album of Andreas Huber, dated entries 1589-1607. Stuttgart, Württembergische Landesbibliothek, cod. don. 899, f.40v.

and in the album belonging to Matthäus Miller — here the scene seems to be set in Turkey, and again the legitimate heir has thrown his bow and arrow on the ground:

from the album of Matthäus Miller, adjacent page in same hand dated 1606.  Augsburg, Staats- und Stadtbibliothek, 8° Cod. S 3 (Cim 67), f.168r.

The Latin — which looks as if meant to caption the scene — Concordia parvae res crescunt, Discordia maximae dilabuntur, means “In harmony, small things grow; in discord, great things decay” and is a quotation from Sallust, but I cannot see how it is appropriate!

Just noticed this today — for sale at auction in 10 days’ time! Lot 3447* in Koller auction A216, Old Master Drawings, etc .. where currently misdescribed as “army camp with their leader pierced by arrows”. As usual, the legitimate son has cast his bow and arrow to the ground after the two illegitimate sons have fired their arrows at the corpse!

Before noticing the Miller album example, I made a Pinterest board on which I collected some 40+ examples at

https://uk.pinterest.com/malcmjones/shooting-at-the-fathers-corpse/

I copy just a few of these below, the earliest examples being found in illuminated manuscripts of the second half of the 13C. Thereafter, it can be found in a variety of media and was particularly popular in the 16C; the above album miniatures are some of the latest examples.

Before the albums

Psalter/Hours produced in Liege in the 1280s. New York, Pierpont Morgan Library, M.183, f.70v.
London, BL Stowe MS 17, f.117v. (the other 2 sons on f.118r). Maastricht 1300×1325
carved woodwork in the choir of Cologne Cathedral, c.1310.
Den Haag, Huis van het boek, MMW 10 B 23. 1371/2
from a manuscript of the Gesta Romanorum, dated 1542, Munchen, BSB,
New York, Pierpont Morgan Library, ms 26983, Venice 1471
woodcut in Pierre Gringore, Paris 1516
engraving by Mair von Landshut, c.1500.
painted exterior to the house Zum Weissen Adler, Stein-am-Rhein. by Tobias Schmid, 1522
New York, Metropolitan Museum, 1996.31. German or Swiss, dated 1529
cassone panel painted by Bracchiacca in 1523
by Melchior Lorck, dated 1551
glass pane painted by Andreas Hor dated 1558. Historisches Museum Schloss Arbon
Haecht, Mikrocosmos, 1579
detail of pane painted by Heilmann dated 1577
majolica dish, Urbino or Rimini, c.1540
by Virgil Solis before 1562

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